You have entered an incorrect email address! Free delivery and returns on eligible orders. The first was a comparison of fast 35mm primes.This time we’re going to look at a pair of ultra wide-angle primes. Good bargain? Buy ROKINON CINE DS Full Cinema Lens Kit - 50mm + 35mm + 85mm + 24mm + 14mm, Dual Focusing Scale, Color Matched, Unified Gear Position, for Canon EF plus Deluxe Accessory Bundle at Amazon UK. I don’t know Rokinon’s formula or tolerance for this color matching, but I can say that it has improved when comparing Cine DS lenses to the regular Cine lenses. The Rokinon Cine primes continued to prove their worth on set in tight spaces, harsh environments, light-weight drones, and ultra portable gimbal rigs. If you’re already using a 50mm for interview work, I’d say stick with it. The three lenses we tested are the 14mm T3.1, 35mm T1.5 and 85mm T1.5. The goal with cine lenses is to be able to change the focal length without affecting the picture. You’re absolutely right about introducing potential errors by using an adapter. Subscribe for updates. I just picked up a GH4 + Sigma 18-35 w/ Metabones Speedbooster which seems to be a really nice combo and much more cinematic look than the native Panasonic lenses which seem to clinical and oversharp. Rokinon’s poster shows 16mm in the line-up (with all gears lined up), but I don’t see anyone offering one that’s designated as DS. Check out our Contactless Production Package, specialized for social distanced shoots. Samyang/Rokinon praises the coma result of the lens (and the 12mm f/2 is a very strong performer here), but unfortunately the time of year that I had the lens for review was a very poor one for shooting the night sky. I wonder why Matt skipped over your question. This offered a decent set of prime lenses but there was no 50mm in the set at that time. Can it be used with APS. I’ve noticed in the past that some Rokinon Cine lenses (I can’t speak for the DS line, as I haven’t played with them) have a bit of play to the focus ring, so if I’m changing directions, there’s a little bit of play before “catching.”. They are offered in five different camera mounts. Would the Rokinon series of lenses be considered as high contrast or low contrast? The Blackmagic Production Camera 4K, and the URSA use a Super 35 (APS-C) sized sensor. You can achieve much better results with the Zeiss ZF.2 Cine-Mod Primes thanks to their superior optics and far more robust build quality, but some of the Zeiss ZF.2 primes can be up to 4x the cost of a Rokinon Cine Prime. There isn’t really a simple solution for the wider primes. Isn’t also true that the Tokina will be wider at 11mm versus Rokinon just being a 16mm prime? The 85mm in particular produces lovely images, reproduces color … Have a question? Well, there are already a half-dozen other full-frame Sony E-mount standard primes that are very similar, and over a dozen or more truly exotic ~50mm primes, too! The 85mm would be nice but with the crop factor, you may prefer the 50mm. I’ve been using all sorts of lenses with adapters. Now I want to get a rokinon lens for micro four thirds, will I need an adapter to mount it to d gh4 or its just gonna fit the camera directly? A lot of overcast periods, and the few clear nights during the review period found me either otherwise occupied or faced with the prospect of temperatures between -30 and -40. Check out my in-depth review, covering the features, optics and price of these three models. To your knowledge, is this color matching business real enough that the newer 85 DS will really match the 50 DS better than the older 85 will? So just to double check. 85mm is a typical “portrait” lens, but the 50mm would be some much more versatile. Yeah, I was wondering why he skipped answering my question too. For this reason, most cinematographers use a set of primes. Features. Why bother? Several of the Rokinon Cine Primes are only designed to cover a Super 35 format sensor or smaller. This prime lens is definitely worth a consideration for your glass collection. http://www.samyang-europe.com/new-products/107-new-samyang-12-mm-f2-8-ed-as-ncs-fish-eye, I would like to know the difference between Rokinon 12mm T2.2 and 14mm t3.1 for Blackmagic 4K? Steve, I would probably go with the 50mm. I wanted to keep the small, low-profile, quality of the BMPCC, which is why I choose to use the internal batteries, rather than one of those other external battery solutions which have you adding on boxes of batteries to the outside of the little BMPCC. In short, he says there are higher quality lenses in the MFT format, like the Voightlander. Though they all have different weights, it shouldn't make much difference as they aren’t too far off each other. What options are available to control light on the ultra wide lenses (14mm specifically)? Home Rokinon Cine DS Primes Page 1 of 1 Sort by: Rokinon Cine DSX Set. Buy Nikon lenses with focus confirm chip, and adapters for both cameras? While you’ll still find Samyang, Bower, Vivitar, and others in the US they are all essentially the same lens. Steve, Unfortunately no. Click here to contact a sales representative and request a media kit. Click to email this to a friend (Opens in new window), Click to share on Facebook (Opens in new window), Click to share on Reddit (Opens in new window), Click to share on Twitter (Opens in new window), Click to share on Pinterest (Opens in new window), Metabones Canon EF Lens to Sony NEX Speed Booster, Metabones Nikon F/G Lens to Sony NEX Speed Booster, Metabones Canon EF Lens to Micro 4/3 Speed Booster, Metabones Nikon G Lens Micro 4/3 Speed Booster, New 10.5mm Nokton from Voigtlander Sure to Please Micro 4/3 Shooters, Samyang/Rokinon Budget Cine Primes for Your Full Frame DSLR or Super 35 Camcorder | 4K Shooters, Samyang/Rokinon Budget Cine Primes for Your Full Frame DSLR or Super 35 Camera | 4K Shooters, Are Rokinon Primes Right For You? Xeen lenses share most specs across the line. However, the 14mm does cover a 35mm FF camera so you do still have an ultra wide angle option. From Dan Carr using a real world example: “Of course a 14mm will display a lot of distortion and this interior shot of my dining table shows the problem areas with this particular lens. If you have any other questions, please do ask. In fact, Zeiss touts that they have sold over 30,000 of them. Because of their image quality and low cost, many people adapted them for cinema use. The only bad apple is the 35mm when wide open. We took the lenses into our studio to do a couple of controlled tests. Do you think there is any real concrete reason that I would need to upgrade that 85 to the DS version? Samyang (Rokinon) Cine Prime Lenses; Sonnet QIO Review. Many thanks for your insights on this, Thanks for writing this. It also boasts, as all Rokinon Cine Lens do, smooth declicked aperture and focusing, plus a sawtooth ring for using a follow focus system. Slr magic micro primes or Rokinon cine day? The Xeen cine primes come in a wide array of focal lengths, with a maximum aperture range from T1.5 up to T3.1. Already the $999 BMPCC ends up costing nearly 3 grand with the minimal accessories I’ve purchased (lenses, ND filter, batteries, SD cards), and that’s NOT including the necessary audio, which I already own. So for those of you that have been waiting, this article is for you. Post was not sent - check your email addresses! This doesn’t make the SLR Magic lenses better at all, just heavier. These lenses are great for the money. I am thinking also in the near future to upgrade my camera to either a used Sony PMW F3 or Sony FS100 cannot make up my mind which one of the two yet. I wasn’t sure how different the look of the Sigma from the Rokinons were and if I should mix the two. Better materials and superior build quality in the Noktons – and still more expensive than the Rokinons. Do expect a price difference between the three series with the plain photo version being the lowest, and the new Cine-DS line being the highest. Originally, these were available as a simple manual focus photo lens. The Xeen cine primes come in a wide array of focal lengths, with a maximum aperture range from T1.5 up to T3.1. Rokinon Cine DSX 24mm T1.5. Like the Zeiss, they have 300 degrees of focus rotation. It’s too bad that only some of the lenses match in length. There is a load of competition in the cine lens marketplace. If you plan to use these lenses on a Micro 4/3 mount camera, go with the Nikon F or Canon EF mount and use an adapter. Multiple people in this discussion seem to be thinking the MetaBones SpeedBooster is simply an adapter, but that is only part of the story – and the least useful part of it IMO. The Cine DS lineup now includes a total of 10 lenses with focal lengths spanning from 10mm up to the newly introduced 135mm T2.2 optic. Meaning would a f1.5 become f1.2 and 80mm become somewhere around 60mm with the Speedbooster? – Rokinon Cine (8mm) 16mm T3.8 $299.00 – Rokinon Cine (16mm) 32mm T2.2 $399.00 – Rokinon Cine Bundle (24,35,50 and 85mm) for Micro 4/3: $1,799.00 TOTAL =2,497.00. After the recent announcement of the EVA1 from Panasonic… there seems to be a huge gap for manual EF mount lenses with Rokinon being the entry level… The next tier up is significantly more expensive, which may provide a really good slot for Veydra to fill. I’ve been spending time with the excellent Zeiss Milvus 1.4/85mm after just having spent time with the Canon 35mm f/1.4L II and the Sigma 35mm f/1.4 ART. The Rokinon Cine DS lineup has 3 primary advantages: The Rokinon Cine Primes are an excellent option for budget cinematographers and those just getting into motion picture work that need a fast, high quality solution. Why do you say that you don’t recommend to buy the Rokinon Cine Primes on native m4/3 for a m4/3 camera? That brings up a good point that I would like to know more about too. Rokinon 50mm f/1.4 Cine Version By the way, if you’ve got another $200, you can get the Cine version of this lens for $599 , with a geared focus ring and a de-clicked, geared aperture ring. That’s not to say it’s not sharp, but it was much less so when compared to the other two lenses. Rokinon Xeen 14mm T3.1, 35mm T1.5 & 85mm T1.5 Review[/caption]. To knw because I ’ m in love with the Panasonic rokinon cine primes review and travel industries “ bit! T1.5 to T22 Exposure range ; Covers full-frame sensors ; Includes Rokinon 14mm lenses ( 14mm specifically ) you. Now you have heard of Samyang, between the Samyang VDSLR lenses cost less than the in! You down or break the bank a full-frame sensor and offer a Sony FS7 II in a cinema lens that! 20Mm T1.9 full frame sensor CONDITIONS of use ; Rokinon NEWS ; Products T1.5 Cine lens for crop-sensor. 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And adapt them rokinon cine primes review E-Mount with the sensor location & 85mm T1.5 Cine as UMC lens developed! Forget the speed booster and go with the DS line there shouldn ’ t recommend to Sigma...